Archive for Write

Isolation is the dream killer‘ – Barbara Sher

Publishing your own book may be high up there on your dream list, and by its very nature, tends to be a lonesome endeavour. After working in publishing for many years I applaud those who see it through, a little tired around the eyes, but glowing with satisfaction. I’d like to see a lot more of that!

So, after the tremendous high of the launch of Women on Top just two weeks ago, I am ready to take a group of aspiring authors of non-fiction on the ride of your life, starting 30 July in Brisbane, so that you too can get your book in print and out there in the world, changing everything for you. Take a moment to read of the success of these three Brisbane-based authors after they invested time in their own books.

The Book Publishing Mastermind Program is a combination of information, instruction, planning, structure, writing, monthly tasks, accountability, deadlines that build your book, access to resources and networks beyond your own, a mini-focus group, a cheer squad and a cure to isolation!

I have worked with many groups in this format before and this combination is a powerful thing! Serendipity seems to join the party as well, and people begin to see little miracles happening around them. Opportunities seem to appear out of nowhere, the right people show up in their lives. Then one day they wake up and realise they are in the MIDST of their dream! All because they are taking action.

Are you ready? Do you know someone who is? Do you know you would struggle on your own?

Full details of the Book Publishing Mastermind Program are on my website.


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Dec
30

Is there enough love?

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In 2009 Jane Teresa Anderson spoke at one of our first non-fiction writers’ groups in Brisbane, and we were all entranced by her intelligent humour, wisdom and kindness. Jane Teresa is a dream analyst with a regular spot on

Jane Teresa Anderson

 morning TV, several books to her name, and a very successful online presence. I came across a transcript of our chat (unedited) at the Writers’ Group meeting and thought you might like to read this small part of it:

Bev: “So you published one book and then you published more. How did you make the others different to the first one? How did you think ‘Well I’ve got something else to say’?”

Jane Teresa: “I liken it to when I had my first baby and then I was pregnant again pretty quickly. I thought I’m really pleased about this but I’ve given all my love to this child: what am I going to do? Am I going to share it in two or what?

 And when the second one came along you realise you’ve got twice as much – in fact you’ve got more. And it’s the same with books. You write the first book and you think that’s it, that’s all my knowledge. I’ve done it now. If I die tomorrow – and you will have this thought I guarantee you – if I die tomorrow I’ve done my thing. I feel really good. I’ve got that out there.

And after a while you think ‘Oh I wish I’d written page differently’. Don’t hold a book back because your 1995 book is where you were at in 1995 and your 1998 book is where you were at in 1998. And if you hold everything until you’re absolutely ready all those readers that you would’ve been selling to for 20 years, have missed out on your development and your message.

But nevertheless, to answer your question, I did the one book and I thought well what more could you want? There’s the results of my research on dreams and dreaming. But very quickly I had the idea that for the next book I wanted to tell stories of people who’d had a life changing dream.

 So for an analysis context just to collect and interview people I advertised ‘Have you had a dream that was totally life-changing for you? Would you like to tell your story in this book?’ So that was ‘Dream It Do It’ – we went with that one.”

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Jun
25

Three independent publishers

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The Women’s Publishing Network  June Writer’s Group special guests were members who have recently self-published non-fiction. They shared their background stories and lessons learned through publishing, speaking and marketing their own books.

 Jane Grieve, author of ‘Slippin on the Lino’, a collection of short stories around the theme of motherhood, loss of career and identity, and the observations, frustrations and delights of raising children.  

 Diane Carter, author of ‘Dare to Live’, an inspiring autobiographical tale of life in Africa, recovery from a near-fatal hyena attack, and the courage to go on against all odds.

 Lori Cartanega, author of ‘The Heartbreak Option’, the autobiographical story of her colourful life and the recent reunion with her son who she gave up for adoption many years ago.

 Some of their recommended resources:

Printers: McPhersons Printing Group; Palmer Higgs; Griffin Press

Distribution & Sales: Palmer Higgs; Dennis Jones; Amazon; Fishpond; Lulu; Mary Ryan bookstores; Angus and Robertson; Dymocks…

When Jane was completing her book last year she received a lot of support from professional contacts she had made through her varied career: many endorsed her book and one such contact enabled her to sell her book through Pillow Talk stores when it was first released.

Lori and Jane have both opened up their own distribution into bookstores by being persistent and approaching stores directly. Jane approached the ABC stores by contacting the state manager and her distinctly Aussie book is on their shelves.

Jane has also recorded her stories in audio-book format in a professional studio in her home town of Warwick, and most recently contributed to the new publication ‘The Modern Women’s Anthology 2010′.

 Diane’s focus is to use the book to promote her speaking career and is successfully selling books through her speaking engagements and online. She is also raising money through her book sales to support cancer charities.

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Jun
13

The Power of an Effective Press Release

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Case Study

Lana Mitchell, owner of Backcreek Country Enterprises, contacted us for assistance with media releases when her business was in its early stages. The press releases we developed based on her original (sample No. 1 below) are included here so that you can see how to make your story a part of a much larger story. The principles used here can be applied to any business, book, service or product.

These press releases did the trick, generating much publicity for Lana’s business. She has done amazing work since then and has just won the 2010 RIRDC Rural Woman of the Year award for NSW.

BEFORE

Press Release No. 1 – ORIGINAL VERSION

Roses are red, but Flannels are new…

FIFTY years ago, it was a common sight when driving through the NSW countryside in spring, to see large numbers of Flannel flower (Actinotus helianthi) by the roadside. Their velvety white, daisy-like petals with green tips are distinctive and loved by many. In fact, earlier last century the Flannel flower was a common subject for paintings, drawings, tablecloths, and even tea towels. Encroaching urbanism and illegal wild-harvesting of the wildflower in the last 20 plus years changed this dramatically.

Questioning many under 30’s one finds they have never heard of, let alone seen, a Flannel flower. It is rarely available in the common florist shop, and more than 85% of

Flannel flowers that are grown commercially are exported overseas to markets where the flower’s distinctive look and long vase-life have made it immensely popular.

A young woman in the Canberra region has taken action to change this. A few years ago, searching for an enterprise that would satisfy her love for growing things green, as well as her desire to cultivate and promote Australian wildflowers, Lana Mitchell, of Backcreek Country Enterprises, decided to put her basic training in botany to the test. She set herself a goal to be the first commercial cut-flower grower in Australia to grow the Flannel flower using the technology of hydroponics, and in recent times she has done just that.

“It has been an interesting journey to blaze the path for Australian native wildflowers with hydroponics. It is common place for vegetables like tomatoes and lettuce to be grown hydroponically, and many of the exotic cut-flowers you see in a florist, such as roses, carnations and gerberas, are grown this way today – but our own local flora has been still in the Dark Ages.  The potential and strengths of our native wildflowers are slowly being realised, and I am really proud to have a part in setting up a sustainable practice that makes our flora available in quantity and with quality to the Australian public.”

A recent study by Centre for Native Floriculture at the University of Queensland details that the Australian cut-flower industry is valued at $AU170 million, with the majority of flowers produced being exotic species such as roses, lilies and gerberas.  Australian natives are estimated to share only 10% of the domestic market, while over AU$29 million worth of exotic flowers are imported each year.

“People should really think twice when they are buying cut-flowers,” Ms Mitchell said. “Our local wildflowers, such as the Flannel flower, are beautiful, unique and versatile, and they have not traveled half-way around the world to land in our bouquets. Locally-grown native flowers are suited to our environment and climate, drought resistant and also carbon-negative when compared to exotics. They are “Australian made” in the full sense of the term and they deserve our support.”

AFTER

Press Release No. 2 – REVISED VERSION

Roses are red, but Flannels are new…

A recent study by Centre for Native Floriculture at the University of Queensland details that the Australian cut-flower industry is valued at $AU170 million, with the majority of flowers produced being exotic species such as roses, lilies and gerberas. Australian natives are estimated to share only 10% of the domestic market, while over AU$29 million worth of exotic flowers are imported each year.

A young woman in the Canberra region has taken action to change this.

A few years ago, searching for an enterprise that would satisfy her love for growing things green, as well as her desire to cultivate and promote Australian wildflowers, Lana Mitchell, of Backcreek Country Enterprises, decided to put her basic training in botany to the test. She set herself a goal to be the first commercial cut-flower grower in Australia to grow the Flannel flower using the technology of hydroponics, and in recent times she has done just that.

Fifty years ago, it was a common sight in Spring to see large numbers of Flannel flower (Actinotus helianthi) by the roadside in country NSW. Their velvety white, daisy-like petals with green tips are distinctive and loved by many. In fact, earlier last century the Flannel flower was a common subject for paintings, drawings, tablecloths, and even tea towels. Encroaching urbanism and illegal wild-harvesting of the wildflower in the last 20 plus years changed this dramatically.

Many under 30’s say they have never heard of, let alone seen, a Flannel flower. It is rarely available in the common florist shop, and more than 85% of Flannel flowers that are grown commercially are exported overseas to markets where the flower’s distinctive look and long vase-life have made it immensely popular.

“It has been an interesting journey to blaze the path for Australian native wildflowers with hydroponics. It is common place for vegetables like tomatoes and lettuce to be grown hydroponically, and many of the exotic cut-flowers you see in a florist, such as roses, carnations and gerberas, are grown this way today – but our own local flora has been still in the Dark Ages.  The potential and strengths of our native wildflowers are slowly being realised, and I am really proud to have a part in setting up a sustainable practice that makes our flora available in quantity and with quality to the Australian public.”

“People should really think twice when they are buying cut-flowers,” Ms Mitchell said. “Our local wildflowers, such as the Flannel flower, are beautiful, unique and versatile – and they have not traveled half-way around the world to land in our bouquets. Locally grown native flowers are suited to our environment and climate, drought resistant and also carbon-negative when compared to exotics. They are “Australian made” in the full sense of the term and they deserve our support.”

OPTION 2

Press Release No. 3 – REVISED VERSION

Counting up carbon miles traveled by cut-flowers

In the UK, mounting consumer concern surrounding the sourcing of cut-flowers and “carbon miles” traveled by imported cut-flowers is forcing florists and flower companies to draw up eco-friendly guidelines.

Here in Australia over AU$29 million worth of exotic flowers (such as roses, gerberas, lilies and carnations) are imported annually.  In addition to the long distance these flowers have been transported, in some cases these flowers have also been grown in heated greenhouses with artificial lighting, and with CO2 to force rapid flowering.

A recent study by Centre for Native Floriculture at the University of Queensland details that consumer buying habits are part of the problem. Australian wildflowers, of which there is are huge variety, are only 10% of the existing $AU170 million domestic cut-flower market. Further, Australian native flowers are not well known by florists and the public, with both often having misconceptions on their availability, range, prices and characteristics.

Ms Lana Mitchell, of Backcreek Country Enterprises, NSW, grows the Australian Flannel flower commercially and has observed the situation when offering her product to florists. “If I call up a florist and offer locally grown, high quality Flannel flower, routinely I am told they are not interested. If I show up on their doorstep however, with a bucket of fresh flowers, the response is totally different. I routinely find the florist has never actually seen a Flannel flower before and they are amazed at the size, quality and beauty of it. Combine that with its long vase-life and I invariably make a sale.”

“The misconceptions and ignorance of our native wildflowers,” Ms Mitchell said, “makes it hard for local growers, who are working to make our local flora available to the Australian public. There is such a variety of unique, versatile and attractive flowers that can be used in arrangements today, it is a pity that we fly in exotics from overseas. We need to build consumer awareness and really encourage this niche industry.”

…………………………..

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